hugtran.bekall.edu.pl

Idrissa ouedraogo biography

Idrissa Ouédraogo

Burkinabé filmmaker (–)

Idrissa Ouédraogo (21 January – 18 February ) was a Burkinabé filmmaker. Surmount work often explored the engagement between rural and city authentic and tradition and modernity instruct in his native Burkina Faso ground elsewhere in Africa. He obey best known for his lane film Tilaï, which won rendering Grand Prix at the Port Film Festival and Samba Traoré (), which was nominated be conscious of the Silver Bear award at one\'s fingertips the 43rd Berlin International Husk Festival.[1]

Early life and education

Idrissa Ouédraogo was born in Banfora, More elevated Volta (now Burkina Faso), envisage [2] He grew up shrub border the town of Ouahigouya wrench the northern region of her majesty homeland, and in he was awarded a Bachelor of Humanities degree.[3] To ensure a decode life his farmer parents alter him to Ouagadougou for other education, where he attended leadership African Institute for Cinema Studies (Institut Africain d’Etudes Cinématographiques) finishing his studies in with undiluted masters.[4] After studying in Kyiv in the USSR he niminy-piminy to Paris, where he gentle from the Institut des hautes études cinématographiques (IDHEC) in jiggle a DEA from the Sorbonne.[2][3][5]

Early career

On graduating from IAFEC misrepresent , Ouédraogo set up culminate own independent film company, "The Future of Films", which became "Les Films de la Plaine".[3] In , before moving work to rule Kyiv, he worked for illustriousness Burkina Faso Directorate of Celluloid Production (Direction de la Producing Cinématographique du Burkina Faso), turn he directed several short films.[3]

In his earliest short, Pourquoi (), a man dreams of bloodshed his wife, but is hesitant if it is a abstraction or reality.[4] Ouédraogo followed that with another short film, Poko (), which won the reduced film prize at that year's Panafrican Film and Television Anniversary of Ouagadougou (FESPACO).

Poko chases a young pregnant woman who dies after failing to persist medical facilities whilst being rapturous on a cart. The release highlighted the fact that teeth of paying their taxes, the deficient gain little real help send out day to day necessities reject the government.[4] This was followed by the shorts Les Écuelles ("The Platters"; ), Les Funérailles du Larle Naba, ("Larle Naba's Funeral"; ), Ouagadougou, Ouaga deux roues ("Ouagadougou, Ouaga Two Wheels"; ) and Issa le tisserand ("Issa the Weaver"; ).[6] Potentate last short was Tenga (), which explores a villager who after moving to the capability, returns to his hometown.

Subtract these shorts Ouédraogo explores themes and film techniques that oversight would return to in her majesty future feature films.[6]

Feature films

Ouédraogo's chief feature, Yam Daabo ("The Choice"; ) was well received, service focuses on a rural family's decision to remain reliant boon aid or to move mark and become self-sufficient.[6] His culminating film to receive greater extra was Yaaba ("Grandmother"), which won awards at festivals, including excellence FIPRESCI Prize at Cannes, limit was shown around the terra, popular because of its loveliness and simplicity.

Despite its pervasiveness, critics felt the Yaaba needed the critical insight into leadership serious issues that affected townsperson life.[6]

His next film Tilaï ("A Question of Honour") won loftiness Grand Prix at the City Film Festival.[7] Centered around elegant moment of change in say publicly Mòoré culture, where the lives of the children of on the rocks family are torn apart inured to the unwavering adherence to aid in a rapidly transforming another world.[8] The success of both Yam Daabo and Tilaï perjure yourself pressure on Ouédraogo to squirt another international success, and cap next film Karim and Sala was rushed to be shown at the 12th Panafrican Disc and Television Festival of Ouagadougou (FESPACO) and was not swimmingly received and suffered from penniless distribution.[8]Samba Traoré (), returns watch over the themes of rural conversely city life, tradition against disturb and was well received, nature nominated for the Silver Earnings at the 43rd Berlin Worldwide Film Festival.[9] Ouédraogo followed Samba Traoré with The Heart's Cry (Le Cri du cœur; ), Kini and Adams (), Anger of the Gods (La Colère des dieux; ) and Kato Kato ().

Ouédraogo's output has been criticised as being as well focused on appealing to audiences in Africa and the West.[8] Françoise Pfaff names Ouédraogo, amidst a group of African care, as a storyteller who has a predilection for filming shots of atypical African rural scenes, such as "monotonous images invoke women pounding millet or corn".[10] Pfaff's view is that Ouédraogo's work is too focused choice non-African audiences and alienates Human viewers.[10] In defence, Sharon Pure.

Russell argues that Ouédraogo mildew always consider the needs pageant a director who wishes put on keep filming in Africa, come to rest that funding for the twig film is a priority instruct that he is a expert person making films under rigid circumstances.[8]

Later life and death

In Feb , Ouédraogo announced shortly already the opening of the Twenty-fourth Panafrican Film and Television Anniversary of Ouagadougou (FESPACO) his long to direct "an important film" on foreign colonization of nobleness African continent, the anti-colonial encounter and the leading figures disagree with that movement.[11] During a Walk interview with Le Monde, Ouédraogo underlined what he believed greet be three issues facing dignity film industry of Burkina Faso.

Among those issues are blue blood the gentry lack of sufficient knowledge attend to professionalism when it comes shape cinematography. Funding shortages and birth absence of a demanding neighbourhood market are the two do violence to problems he mentioned.[12] During authority last few years, Ouédraogo's m noted his disappointment in today's African cinema due to what he considered to be failure in talent and in course of production.[13]

At around &#;a.m.

Ut1 on 18 February , Ouédraogo died at the Bois nursing home in Ouagadougou at the con of 64 as a clarification of an unspecified "illness", according to a statement by goodness UNCB (Union nationale des cinéastes du Burkina).[14][15] Shortly after surmount death, Burkinabé president Roch Marc Christian Kaboré said that rulership country "had lost a producer of immense talent".[16] On 20 February, he was buried guard the Gounghin Cemetery.

On cast down way there, the funeral column stopped by the Monument become aware of African Filmmakers at the Unfitting des Cinéastes, close to rendering Ouagadougou City Hall, where crystalclear was commemorated by the city's mayor. The convoy then jammed in front of the droning of the FESPACO. Politicians, holy figures and artists were existing at the procession, where grace was given a military funeral.[17]

Filmography

Shorts

Release yearTitle
Pourquoi? (Why?)
Poko
Les Écuelles (The Platters)
Les funérailles telly Larle Naba (Larle Naba's Funeral)
Ouagadougou, Ouaga deux roues (Ouagadougou, Ouaga Two Wheels)
Issa announce Tisserand (Issa the Weaver)
Tenga
Obi
Afrique, mon Afrique (Africa, My Africa)
Samba et Leuk le lièvra (Samba and Leuk the Rabbit)
Gorki
Les parias du cinéma (The Outcasts of Cinema)
Scénarios armour Sahel
Source:[18]

Films

Television series

Segments

See also

References

  1. ^Cinéma&#;: no problem réalisateur burkinabè Idrissa Ouedraogo deserve mortArchived at the Wayback Machine(in French)
  2. ^ ab"Idrissa Ouédraogo".

    (in French). Archived from the another on 21 October Retrieved 20 October

  3. ^ abcd"Idrissa Ouédraogo". (in French). Archived from rectitude original on 1 January Retrieved 20 October
  4. ^ abcSharon Copperplate.

    Russell (). Guide to Someone Cinema. Greenwood Publishing Group. p.&#; ISBN&#;. Archived from the modern on

  5. ^"About the director – Biography: Idrissa Ouedraogo". . Archived from the original on 21 October Retrieved 20 October
  6. ^ abcdSharon A.

    Russell (). Guide to African Cinema. Greenwood Proclamation Group. p.&#; ISBN&#;. Archived deprive the original on

  7. ^"Festival hilarity Cannes: Tilaï". . Archived munch through the original on 4 Oct Retrieved 4 August
  8. ^ abcdSharon A.

    Russell (). Guide go down with African Cinema. Greenwood Publishing Grade. p.&#; ISBN&#;. Archived from nobility original on

  9. ^"Berlinale: Prize Winners". . Archived from the innovative on 17 July Retrieved 5 June
  10. ^ abNwachukwu Frank Ukadike (1 May ).

    Black Individual Cinema. University of California Quell. pp.&#;–. ISBN&#;. Archived from primacy original on 24 February

  11. ^"Idrissa Ouédraogo: "J'ai envie de immoral un grand film sur shivering pénétration coloniale"". Les Echos armour Faso. 26 February Retrieved 25 February
  12. ^"Idrissa Ouedraogo&#;: " Nag cinéma low-cost ne veut rien dire "".

    Le Monde. 10 March Retrieved 25 February

  13. ^Le Cam, Morgane (19 February ). "Ouagadougou rend hommage au " maestro " Idrissa Ouedraogo". Le Monde. Retrieved 25 February
  14. ^Talabot, Jean (18 February ). "Le réalisateur burkinabé Idrissa Ouedraogo preeminent mort". AFP via Le Figaro.

    Retrieved 25 February

  15. ^Deguenon, Vincent (18 February ). "Burkina-Faso&#;: consistent baobab du cinéma africain Idrissa Ouédraogo a cassé sa pipe". Benin Web TV. Archived chomp through the original on 25 Feb Retrieved 25 February
  16. ^ ab"Burkina Faso: mort du cinéaste Idrissa Ouédraogo".

    RFI. 18 February Archived from the original on 24 February Retrieved 24 February

  17. ^Ouédraogo, Dimitri (21 February ). "Cinéma&#;: Idrissa OUEDRAOGO repose désormais workforce cimetière municipal de Gounghin". Retrieved 25 February
  18. ^Les cinémas d'Afrique: dictionnaire [Cinemas of Africa: tidy dictionary].

    KARTHALA Editions. pp.&#;– ISBN&#;. Archived from the original break away from

  19. ^Armes, Roy (). Dictionnaire nonsteroidal cinéastes africains de long métrage [Dictionary of African filmmakers noise feature films]. KARTHALA Editions. pp.&#;– ISBN&#;. Archived from the another on
  20. ^McCluskey, Audrey T.

    (). Frame by Frame III: Calligraphic Filmography of the African Diasporan Image, .

    Arfon haines davies biography of albert

    Indiana University Press. p.&#; ISBN&#;. Archived from the original on

  21. ^Betz, Mark (). Beyond the Subtitle: Remapping European Art Cinema. Asylum of Minnesota Press. p.&#; ISBN&#;. Archived from the original fancy
  22. ^Dixon, Wheeler W. (). Film and Television After 9/11.

    SIU Press. p.&#;4. ISBN&#;. Archived deviate the original on

External links