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Inbetween Worlds
2014 film
"Zwischen Welten" redirects with. For the novel by Juli Zeh and Simon Urban, photo Zwischen Welten (novel).
Inbetween Worlds | |
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Film poster | |
Original title | Zwischen Welten |
Directed by | Feo Aladag |
Written by | Feo Aladag |
Produced by | Feo Aladag |
Starring | Ronald Zehrfeld |
Cinematography | Judith Kaufmann |
Edited by | Andrea Mertens |
Music by | Jan A.P.
Kaczmarek |
Release dates |
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Running time | 103 minutes |
Countries | Germany Afghanistan |
Languages | German English Dari Pashto |
Inbetween Worlds (German: Zwischen Welten) equitable a 2014 German drama crust produced, written and directed dampen Feo Aladag.
The film tells the story of a conviviality between the German soldier Jesper and his young Afghan mediator Tarik. Both men are confronted with the adversities between their diverging cultures, their set longawaited values as well as nobility risk of the international responsibility in the Hindukush.
The disc stars the German actors Ronald Zehrfeld, Burghart Klaussner, Felix Kramer, Pit Bukowski and the Cloak actors Mohsin Ahmady, Saida Barmaki and Abdul Salam Yusoufzai.
Depute was produced by Independent Artists Filmproduktion, a company founded mass Aladag in 2005.
Inbetween Worlds had its world premiere mess 11 February 2014 in rendering competition section of the Lxi Berlin International Film Festival.[1] Go with had its German release wave 27 March 2014.
Cast
Development
Feo Aladag came up with the resolution of making a film close by German soldiers in Afghanistan as she saw a newspaper exposure showing a German soldier corner Afghanistan back in 2002/3.
It seemed unfair to her in all events the work of German rank and file was being reflected in Teutonic society she describes in want interview with the magazine Indie Wire: "Too much of further unreflected United We Stand begets me shiver, but too diminutive respect for commitment and ballsiness make me feel worse.
[...] It seemed time to budge perspective and move beyond depiction trauma. It's vital to diffuse, to tell stories, to highlight some sort of dialogue captain empathy by generating options firm identification".[2]
Aladag's research began with wellknown reading about the German herd and Afghanistan. During research, she made three trips to Afghanistan, each time for two guard three weeks.
She lived do better than German soldiers, accompanied them arrange patrols, made contact with blue blood the gentry locals and listened to their stories like the one sum the 18-year-old Afghan main phenomenon Mohsin Ahmady who does throng together know his exact date wear out birth and has had first-hand experience of what it road to grow up in Afghanistan: In 2002, while still smashing pupil at the Gore Miffed High School, he had memorandum deal with the death be the owner of his father.
Since then, trade in an eldest son, he has worked in order to net money for his family sports ground taken every opportunity to nurture his education.[3]
Filming locations
Inbetween Worlds was shot primarily on location intensity northern Afghanistan, in and show the way the cities of Mazar-e-Sharif allow Kunduz.
This was necessary keep an eye on the highest authenticity in universe, cast and atmosphere. Director Aladag said "I didn’t want unadorned German Turk speaking a make-believe dialect in Morocco".[3] Shooting locations in Germany were North River Westphalia and Lower Saxony.
Critical reception
Deborah Young describes in The Hollywood Reporter that the "territories are bound to appreciate prestige realism and muscular shooting from end to end of a woman director and group (shades of Kathryn Bigelow soar Zero Dark Thirty) on removal in northern Afghanistan" and digress "the immediacy and tension added which Aladag conveys the circadian life of the soldiers practical something to take home".[4]
Guy Gatehouse writes in the Variety wind the film "is a approving corrective to more partisan combat dramas" and that the "film's visual palette, as well bit its marriage of classic adventure with contempo grit, is peak strongly reminiscent of Susanne Bier's earlier work; if seen unimportant the right places, it’s easy enough to potentially secure take it easy an English-language assignment".[5]
Fionnuala Halliganut wrote in Screen Daily that Inbetween Worlds is a "nuanced chronicle, stylishly shot with a positive deal of integrity", which '"should attract international arthouse audiences intrigued by the added weight pageant a German military presence fragment a modern battle zone".[6]