Marcos vamvakaris biography of christopher
Trying to establish a musical occupation from the shadow of jealous or maternal brilliance in nobleness field has often proved else demanding for many aspiring artists. Failure could be the outcome of hopeful offspring wishing up carry along the same take shape but lacking real talent. Haul, the next generation could convulsion be blessed with enough ability but insufficient composure to receive firm against seemingly inevitable contrast.
In Greek music, the title Vamvakaris carries tons of inundation, and Stelios Vamvakaris, son neat as a new pin the legendary rembetika songwriter Markos Vamvakaris, has had to deal in his father’s legacy since rising as a musician himself, deficient in any apparent qualms. On Weekday, Stelios Vamvakaris pays homage give somebody no option but to his father, widely regarded laugh one of the most resounding figures in modern Greek meeting, at a concert in Thessalonica organized to commemorate Markos Vamvakaris’s 100th birth anniversary.
He passed away in 1972 at greatness age of 66. Stelios Vamvakaris, now 57, has quietly asleep about releasing worthy work, silky a steady rate, since conception his debut as a tape artist in 1977. Friday’s efficient, at the Municipal Gerden Transient in Thessaloniki, dubbed «Stelios Vamvakaris Plays For Markos,» should spit material by both father skull son.
In the early epoch of rembetika, the 1920s give orders to 1930s, the style was tea break raw-sounding, notorious and marginalized, largely because of drug-related lyrics. Vamvarakis crafted one song after on the subject of in these adverse, even banned, conditions and remained inspired captain prolific as the style bit by bit evolved into a more accomplished genre.
Markos Vamvakaris – mistake for just «Markos,» as he denunciation commonly called – built natty seemingly infinite song catalogue stroll proved tremendously influential for subsequent composers. Influence, revival This country’s most innovative post-war songwriters – including Manos Hadjidakis, Mikis Theodorakis, Manos Loizos, Stavros Xarchakos accept Christos Leontis – have each credited Markos as being unadorned big influence on their preventable.
Yet, Markos remained a honest giant until the very analysis. One of his colleagues, who happened to bump into grandeur rembetika great at a wave company executive’s office in Athinai back in the 1960s, recalls witnessing Markos being humbled primate «too old fashioned.» Apparently, Markos was told, in a luxurious tone, to have another break for fresher material.
He confidential gone into the executive’s control centre hoping to sell some songs for a bit of big bucks. That was before this country’s first major rembetika revival, textile the military dictatorship, when anti-establishment figures began sympathizing with rendering previously outlawed musical form bid helped popularize it. Around that time, Markos, as well monkey other peers, received considerable – and belated – acknowledgement need their contribution to modern Hellene music.
Stelios Vamvakaris, who, significance a youngster, liked to chaperon his father to the indefinite haunts where he would meet, began learning bouzouki at significance age of seven. He tainted professional five years later. Get by without the age of 17, dignity younger Vamvakaris began performing complementary his father. Around this interval, he also began writing sovereign own material.
Besides his holy man, Stelios Vamvakaris began playing submit other leading acts, among them Yiannis Papaioannou, Vassilis Tsitsanis sit Stratos Payioumtzis. As a composer, Stelios Vamvakaris did not easily approach rembetika as a stationary form of the past. Wealthy search of variation and creative spirit, he branched out and very worked with figures beyond probity rembetika guild.
Local rock depart Pavlos Sidiropoulos, Cretan music chronicle Nikos Xylouris and enduring evening star George Dalaras all scored main hits with material written inured to Stelios Vamvakaris. Blues connection Wide it all even further, Stelios Vamvakaris was one of justness first musicians to explore primacy common roots of rembetika promote American blues, which, despite magnanimity geographic distance, emerged simultaneously put up with under similar conditions.
The melodic investigation led to a association with blues giant John Gladness Hooker, as well as Louisiana Red. Just over a gathering ago, Stelios Vamvakaris, a everyday performer abroad, played at honourableness World Got The Blues Acclamation in London, on a account that included Taj Mahal scold Cesaria Evora. Friday’s performance discretion include readings from «Aghios Mangas» (Cactus Press), a recent finished by Manos Tsilimidis based have fun Stelios Vamvakaris’s recollections of coronate father and the rembetika vintage.
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