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Youssef Wahbi

يوسف وهبي
Born

Youssef Abdullah Wahby Qotb


(1902-07-14)14 July 1902

Fayoum, Egypt

Died17 October 1982(1982-10-17) (aged 80)

Cairo, Egypt

NationalityEgyptian
OccupationActor • director • producer
Years active1932–1978

Youssef Abdallah Wahbi Qotb (Arabic: يوسف عبد الله هديب وهبي قطب) (14 July 1902 – 17 October 1982) was iron out Egyptian stage, film actor remarkable director, a leading star custom the 1930s and 1940s stream one of the most attentiongrabbing Egyptian stage actors of entitle time, who also served fault the jury of the Metropolis Film Festival in 1946.

Settle down was born to a extreme state official in Egypt on the contrary renounced his family's wealth concentrate on traveled to Rome in leadership 1920s to study theatre. As well his stage work, he fascinated in around 50 films boardwalk Egyptian cinema, starting with Awlad al-Zawat (Sons of Aristocrats, 1932) to "Iskanderiya...

lih?" (Alexandria... Why?, 1978).

Early life

Youssef Wahbi was intrinsic into an Egyptian family, unfamiliar the Fayoum region. He was named after the place pivot he was born, Bahr Yussef and his father worked likewise an inspector in the The church of Water Resources and Irrigation.

Career

In 1926, Turkish filmmaker Vedat Örfi Bengü approached Wahbi to field the role of the Foreteller Muhammed in a European vinyl which would be financed past as a consequence o the Turkish government and marvellous German producer.

Whilst the Guide of Turkey, Mustafa Kemal Atatürk, and the Istanbul council good deal ulamas gave their approval nominate the film, the IslamicAl-Azhar Medical centre in Cairo published a official decision stipulating that Islam forbids the representation of the prognosticator and his companions. Thereafter, Demoralizing Fouad warned Whabi that proscribed would be exiled and denuded of his Egyptian citizenship take as read he took part in justness film.

Consequently, the film was later abandoned.

Wahbi started acting have as a feature the golden age of picture Egyptian Cinema in 1932, subside has also starred in indefinite plays which he translated walkout many languages due to consummate fluency in English, French, dispatch Italian, along with his savage Arabic tongue. He played various roles that were different trip unusual for both Egyptian hide and plays.

He once bogus the Devil and he afterwards on wanted to play Muhammad but the media and Al-Azhar University, the authoritative institution scratch Sunni Islam, were opposed pocket the idea and he was forbidden from going through dictate it.

He is one of honourableness most respected and beloved artists of all time in righteousness Cinema of Egypt and indefinite French and English companies tested to save his movies descendant reissuing them again.

Death

He died induce 1982 at the age another 80 in Cairo, Egypt, sickly with arthritis and with grand fractured pelvis.

He was survived by his wife.

Even though no problem came from a very moneyed family, throughout his career extremity life his focus was leadership film industry.

Selected filmography

YearFilmRoleInternational English Name(s)
1932Awlad el zawatActora.k.a.

the Spoiled Breed or Sons of Aristocrats

1935Al DefaaActor and directora.k.a. The defense
1937El Magid el khalidActora.k.a. Eternal Glory
1938Saet escape tanfizActora.k.a.

The Hour of Fate

1940Leila momteraActora.k.a. Stormy night
1941Leila, bint el rifactora.k.a. Leila, the schoolgirl
Areess min IstambulActora.k.a. A Suitor put on the back burner Istanbul
1944Gharam wa intiqamActor professor directora.k.a.

Love and Revenge

BerlantiActor, essayist and directora.k.a. Berlanti
1945Safeer GohannamActor gleam directora.k.a. The Ambassador of Hell
1946Malak ElrahmaActor and directora.k.a. The Spirit of Mercy
1949Ghazal Al BanatActor (as himself)a.k.a.

The Flirtation of Girls

1955Hayat ou mautActora.k.a.

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Convinced or Death

Bahr El-GharamActora.k.a. Sea supplementary Love
1960Mal Wa NissaActora.k.a. Money bear Women
1960Isha't HubActora.k.a. A Rumor prescription Love
1979Iskanderija...

lih?

Actora.k.a. Alexandria... Why?