Akihisa hirata biography of albert
"Home-for-All" in Rikuzentakata, and the City Biennale International Architecture Exhibition
Toyo Ito, Kumiko Inui, Sou Fujimoto, Akihisa Hirata (Architects), and Naoya Hatakeyama (Photographer)
Every two years in Italia, the Japan Foundation presents say publicly Japan Pavilion as a stable participant in the Venice Biennale International Architecture Exhibition.
Signboard of rendering Japan Pavilion (Photo: Naoya Hatakeyama)
Exhibit of the Japan Pavilion (Photo: Naoya Hatakeyama)
For the 13th Intercontinental Architecture Exhibition at the Metropolis Biennale, the Japan Foundation greet as commissioner the architect Toyo Ito, and as exhibitors, architects Kumiko Inui, Sou Fujimoto, champion Akihisa Hirata, and photographer Naoya Hatakeyama.
From left: Kumiko Inui, Toyo Ito, Akihisa Hirata, Sou Fujimoto, and Naoya Hatakeyama
Under the peak "Architecture.
Possible here?" the Gild Pavilion showcased the designing prep added to building process of a "Home-for-All" in the city of Rikuzentakata, Iwate Prefecture, being expected draw near serve as a little inhaling place for victims of honesty devastating Great East Japan Condition. For its endeavor to review the most primal themes--that precision re-examining the modern value tactic 'originality' in architecture, and reason and for whom a belongings is made--the Japan Pavilion won the exhibition's highest honor, illustriousness Golden Lion for Best Official Participation.
The Japan Pavilion wins dignity Golden Lion for Best Public Participation in the 13th Supranational Architecture Exhibition at the Metropolis Biennale (Photo: Naoya Hatakeyama)
This fib covers the report titled "Architecture After 3.11" co-organized by righteousness Architectural Institute of Japan stake held at the University method Tokyo's Fukutake Hall on Sept 25.
Building the "Home-for-All" in Rikuzentakata
ITO: I thank all of order about joining us here today.
It's been a month and fine half since the last put to death on August 5, before incredulity left for Venice. I under no circumstances dreamed we would bring population the Golden Lion... No, zigzag isn't entirely true. I flew out fully expecting to multiply by two this prize. But first, pop along me share with you significance idea behind the Japan Spectator area exhibit.
I presented my proposal "Architecture.
Possible here?" in late July 2011, when the Japan Underpinning made an open call aspire commissioner of the Japan Spectator area. Around the same time, Side-splitting was also engaged in capital project of my own known as "Home-for-All," which seeks to furnish gathering places for people who had lost their homes gratify the Great East Japan Quiver.
I completed the first "Home-for-All" in October last year (2011), in the Miyagino Ward contribution Sendai City, Miyagi Prefecture, sports ground the Japan Pavilion is knob extension of this project.
Whereas Frenzied alone designed the Miyagino "Home-for-All," I assembled a design side comprising Kumiko Inui, Sou Fujimoto, and Akihisa Hirata for that time.
I also asked Naoya Hatakeyama to participate in dignity project, not only as a-one photographer but also as keen contributor being involved from prestige early stages of concept swelling. Mr. Hatakeyama is a innate of Rikuzentakata, and in circumstance, it was his photographs clever the city taken immediately end the quake and tsunami think it over inspired and led us cheer build the Rikuzentakata "Home-for-All".
Imaizumi step of Kesencho, Rikuzentakaka.
April 4, 2011 (Photo: Naoya Hatakeyama)
To divulge the truth, I didn't resolve to build a "Home-for-All" rephrase Rikuzentakata at first. Initially, Distracted envisioned making an actual design in the courtyard of influence Japan Pavilion, and then name the Venice Biennale, relocating authorize to the disaster-stricken city similarly a gift.
But this didn't fit in with the expensive plan. Transporting the building provision the exhibition's closing in show November means its completion make a purchase of Japan would be the adjacent spring, at the earliest.
Le quitan los guayos become less restless ronaldinho biographyThat was likewise late. Besides, I didn't oblige to make a building mainly for display. So in birth end, we prepared two structures simultaneously: one in Venice, style an exhibit, and the block out in Rikuzentakata, for real.
Encounter interchange Mikiko Sugawara--a key figure develop the project
The idea started talk take concrete shape on Nov 26, 2011, when all additional the team members visited Rikuzentakata together.
There, we met Mikiko Sugawara. Despite having lost go backward mother and elder sister purchase the disaster, this woman was dedicating herself to a assemblage of activities supporting her fresh community and its residents. Effusive by her energetic spark, surprise decided to build a "Home-for-All" on the grounds of waste away temporary housing site.
And puzzle out returning to Tokyo, we reserved several meetings discussing how acceptably to incorporate architecture into that site. Mr. Hatakeyama participated talk to these meetings, contributing a undisturbed deal through his perspective chimpanzee a photographer.
The city of Rikuzentakata in November 2011
Our discussions newest Tokyo, however, made next look after no progress.
I had every anticipated it would be arduous to sum up one impression together with several different architects, who each have a tart personality. But the reality was beyond my imagination. And crabby as I was contemplating habitual to Rikuzentakata and rethinking depiction plan altogether, Ms. Sugawara hailed, saying that she had crank a perfect site, and needed to take us there.
Representation site was symbolic--a vast conduct at the foot of loftiness mountain where the tsunami challenging washed away everything, an void flatland that commanded a great view all the way pull out the ocean.
(Left) Meeting at Toyo Ito & Associates, Architects agreement December 2011
(Right) Finding greatness site on January 26, 2012
After the finding of this glitzy site, the project made smashing remarkable progress.
The team men and women gradually developed common goals. Consign one, we wanted a steep structure, like a fire turret castle, overlooking the entire city interrupt Rikuzentakata. For another, we required the building to resemble systematic grove, making use of Asian cedar salt-damaged by the wave. Even outside Rikuzentakata, I've out of the ordinary many trees of Japanese wood or pine at the dado of a mountain that were destroyed by the tsunami.
Nevertheless logs of withered cedar ache for pine are actually perfectly self-confident to use as building question. This idea was in zenith inspired by a remark implant Mr. Hatakeyama, commenting that representation design model would somehow put in mind Rikuzentakata locals of floats people at the July 7 kenka tanabata (star) festival.
In Hawthorn this year, we presented e-mail final design to Ms. Sugawara and the other residents, ride it was decided that leadership Rikuzentakata "Home-for-All" would consist substantiation several individual spaces arranged sketch levels.
Model proposed on February 26, 2012
(Left) Logs of Japanese conifer near the site on Apr 12, 2012--these are later sedentary as timber for the Rikuzentakata "Home-for-All"
(Right) Local residents come to rest volunteers debarking the logs rest May 19, 2012
Pillars made have a phobia about Japanese cedar from Rikuzentakata inspect the Japan Pavilion
Meanwhile, construction dead weight the Japan Pavilion was on the go in Venice, overseen mainly antisocial Mr.
Hirata and his band. We decided to install sign pillars made of Japanese cedarwood from Rikuzentakata going from prepare through ceiling, and also chance on process logs picked up encounter the venue to make pedestals for the study models. Remarkable to complete the exhibit, amazement paneled the walls with exceptional 4.5-meter high, 60-meter long commanding image of post-disaster Rikuzentakata, busy by Mr.
Hatakeyama. I envisage shooting the scene must enjoy taken a great deal motionless resolve, as Mr. Hatakeyama uttered he had never taken photographs of the kind before. Gravel the end, he picked comb a high-performance digital camera conspicuously for the project, and captured some wonderful shots. The photographs were taken in late June this year (2012), when undue of the debris had antique cleared away and the empty land showed signs of wellfitting first patches of green.
Conj albeit the image might look mean any ordinary landscape at simple first glance, I feel walk off embodies a myriad of Public. Hatakeyama's emotions.
4.5-meter high, 60-meter well ahead panoramic image of post-disaster Rikuzentakata, taken by Naoya Hatakeyama, responsibility the walls of the Archipelago Pavilion (Photo: Naoya Hatakeyama)
The obscurity in the collaboration between architects
INUI: When I was invited be join this "Home-for-All" project, grim initial reaction was hesitation retrieve two reasons.
One, I difficult to understand reservation about making a newfound building in a disaster-stricken open place. And two, I felt rather uncomfortable about collaborating with another architects to make that assets. This second concern wasn't entirely unfounded, either. In the onset, the three of us challenging totally different ideas.
But the eventuality changed once we saw blue blood the gentry new site Ms.
Sugawara difficult found for us. After Form. Sugawara lost her home strengthen the tsunami, she evacuated designate Rikuzentakata First Municipal Junior Lofty School, just a short consume up from the new "Home-for-All" site. Living under the exact roof, I heard, formed marvellous close-knit community of the rank of evacuees. And now meander they had moved out defer to the school and into gift housing, she was worried go off at a tangent the precious community might go to the bottom apart.
So she wanted spruce place that would help the same as sustain the community ties, all the more after individual members had in progress a new life. This tale inspired each of us kind form a common vision. Delay is, through architecture, we sought to play a role importance sustaining this community born put extraordinary circumstances.
There's a term result in a sense of solidarity oft evoked in evacuation sites puzzle out a natural catastrophe--"disaster utopia." Frenzied imagine the situation occurred play a role Ms.
Sugawara's community was a- kind of "'disaster utopia." Blue blood the gentry problem is, these communities tricky inevitably short-lived. Hence, the men and women long for a gathering fall into line to preserve their ties. That place needs to be call only functional but also symbolical. If it's a building, realize instance, the building should illustrate some symbolic quality that brings shared memories back to life.
Dealing with symbolism isn't exactly adhesive area of expertise, as I'm not the type of designer with a prolific vocabulary countless styles.
Publish my biographyBut working with Mr. Fujimoto and Mr. Hirata--two architects marked from each other, and use me--has helped me to gear what I felt was tidy up weak area. And this was an invaluable experience.
Catching a peep of the true nature stand for architecture
FUJIMOTO: When the exhibit entail Venice was almost complete, Uproarious looked back on the delegation as a whole and mull it over, if I may say fair myself, we had made intimation amazing display.
The Venice confer showcases the process of intriguing the Rikuzentakata "Home-for-All," but that process was by no substance simple. It led us dressing-down the all-important question "what denunciation architecture?" and it reflects hose of our personal exchanges siphon off Ms. Sugawara. And with Any. Hatakeyama's photographs of pre- gift post-disaster Rikuzentakata, the exhibit all the more represents multiple layers of time--the past, the present, and integrity future.
The Japan Pavilion in good health fact contains the various rudiments of a city, in dismay juxtaposition of the concrete walkout the abstract, the individual slaughter the society, the building fellow worker the community as a by and large. The elements involved in qualification a single building are assorted. I think this is what architecture is really about.
All solution all, the project offered in the money the curious experience of witnessing a building to take lines on its own.
The noteworthy pillar structure of the Rikuzentakata "Home-for-All," for instance, was heretofore there in Mr. Hirata's regulate model. The actual material was inspired by the story return to the groves of Japanese conifer destroyed by the tsunami, unacceptable about the floats used acquit yourself the local tanabata festival.
Conclude these different elements came obscure and gave the building short version form.
Before the project kicked draft, I was as uncertain contest it as Ms. Inui was. I wasn't sure I was prepared to think about structure after the Great East Lacquer Earthquake. But at a settled point, I realized that 'architecture' was there in Rikuzentakata, tempt it always has been.
Side-splitting will never forget that suspension when the fog in downhearted mind cleared and I cut off a glimpse of the prerrogative nature of architecture.
Architecture that restores ties between people
HIRATA: Like Unwanted items. Inui and Mr. Fujimoto, Unrestrained also gave some thought skill the significance of making well-ordered building in the devastated extent, and to the complexities match collaborating with other architects.
As well, as I became independent afterward working at Mr. Ito's sovereignty, I was worried I fortitude end up serving as pure liaison between the commissioner existing exhibitors. So, I was intractable to hold my ground stall raise my own questions slight the course of this cooperation project.
But looking back now, Mad realize my pretentiousness was uncalled for.
Ms. Sugawara said awe should make a hub turn people who had been difficult to scatter across Rikuzentakata could get together. She even base a place that overlooked dignity whole of the city. Limit the moment we saw court case, all three of us knew. Our intuition told us, that was the site.
I've always wanted a new approach to planning construction, tried to rethink it hub abstract terms of where gifted started and ended.
But form a junction with Rikuzentakata, the place itself brimmed with symbolism. Our mission was to restore the ties mid people that had been standing apart by the disaster. I change that our building was probity start of a community, on account of well as the start hill architecture.
This was another thing Wild gave thought to in justness project--symbolism.
Architectural features like representation pillars representing a grove take the vertical structure representing graceful fire tower all emerged take from this question of symbolism. Irrational also wanted to incorporate run over the building the topographical sprinkling of Rikuzentakata surrounded by mountains.
Presenting the flow of time briefcase photographs
HATAKEYAMA: I'm a photographer, fair I didn't contribute too ostentatious to the actual design register the "Home-for-All." I just hope for to make this clear put in plain words begin with, in case man of you think that unfocused being credited as an promoter means I was involved affix the design process.
I exact attend the general meetings, on the contrary only to cheer on leadership team from my seat put it to somebody the bleachers.
As commissioner of ethics Venice exhibit, Mr. Ito first asked me to recreate nobility flow of time in Rikuzentakata through photographs of the bit before and after it was hit by the tsunami. After, as Mr.
Ito has depend on, the plan changed to register the building process of almighty actual "Home-for-All" in Rikuzentakata. Hold out was only at this converge that I found out position team planned to build natty real "Home-for-All" in my hometown. I never dreamed of turn possibility until then, so Unrestrained was delighted. Over the mass six months or so, rendering "Home-for-All" took concrete shape, meticulous the house is being constructed at this very moment.
Farcical don't think anyone foresaw that development. I'm deeply moved moisten the dynamic turn of exploits over the past year.
In magnanimity Japan Pavilion, I feel Hysterical took on the role make acquainted a narrator. I didn't give too much in terms endlessly design there, either, but I'm under the impression that honourableness photographs are helping the body to relate to the exhibit.
ITO: At the beginning of that year, Mr.
Hatakeyama showed photographs of Rikuzentakata before and funds the tsunami in his alone exhibition at the Tokyo Civic Museum of Photography. I without prompting him to exhibit similar photographs in Venice, complete with marvellous panoramic image of Rikuzentakata very than a year on elude the disaster.
This panoramic image decline the most deeply moving image I've ever seen before.
Punch emanates such a profound quiet. And to me, the heavier the silence, the more illustriousness photograph unveils the emotions think about it went into shooting it.
Last vintage, when I asked Mr. Hatakeyama to join the Japan Porch exhibit, he said he wasn't yet ready to take flicks, that he wasn't feeling sanguine enough.
So I imagine no problem didn't shoot the panoramic stance in an entirely positive chassis of mind. But I further feel that shooting the picture helped him to break newborn ground.
The photographer must remain devise outsider
HATAKEYAMA: Photographers are a only breed. I'm credited as break off exhibiting artist in the Lacquer Pavilion, but I was likewise in charge of photographic put on video of the exhibit.
One about, when the exhibit was draw to a close and the team lined deal with for a group photo, Frenzied found myself standing behind significance camera and not in vanguard of it with the conquer members. I asked someone in another manner to press the shutter restrain for me just that long ago, of course. But under ordinary circumstances, if there exists clean world within the camera's pose, by definition, the photographer should remain outside of it.
When prolong important event takes place hill front of my eyes, unproductively I slip outside of business and take pictures.
So considering that someone praises my work, regularly it doesn't hit home pull up away. You said, Mr. Ito, that I may have in poor health new ground with the wide image. I can't make slim my mind just yet willy-nilly I have or I haven't.
ITO: You said you took appliance the role of a bard, Mr.
Hatakeyama. Perhaps you intentional the role of a photographer--someone who constantly remains an non-initiate. My impression is that, pretend the Tokyo Metropolitan Museum scholarship Photography, I felt your feature within the photographs of post-disaster Rikuzentakata. But in the scenic image at the Venice Biennale, I sensed you had on a former occasion again slipped outside and steady on shooting the subject.
HATAKEYAMA: Talking of the panoramic image, I'd like to offer the nonconformist behind it.
I took desert series of pictures on June 24 this year, from uncut heap of rubble near authority Rikuzentakata train station.
The digital camera displayed a horizontal line instruct in the middle of the finder, which happened to align entirely with the fourth-floor window declining Iwate Prefectural Takata Hospital.
What because looking through the viewfinder, Frenzied remembered that this hospital was submerged from the fourth planking down. From there, I booked the viewfinder's line on honesty height of the tsunami standing shot the 24 cuts desert resulted in the 360-degree comprehensive image.
I included a caption explaining this in the Japan Pavilion--"This photograph was taken from interpretation height of the tsunami.
Notwithstanding below this line of consideration was submerged." I think significance photo with the caption has effectively made visitors notice put off everything from their eyes give was underwater.
Two "Homes-for-All"--in Sendai increase in intensity in Rikuzentakata
ITO: Let's bring rendering discussion back to architecture.
Greatness accounts of the three architects today have made me determine. When I was interviewed similarly the commissioner last year, Rabid said this exhibit would spasm out to be nothing all but an ordinary architecture exhibit. Considering that an architect plans an event, he/ she usually displays what he/ she knows or has completed already. Whereas this hold your horses, I had no idea what awaited a year ahead.
Greatness plan to co-design the "Home-for-All" might fall through midway, splendid already Mr. Hatakeyama mentioned stylishness wasn't ready to take big screen. All three architects showed their hesitation in joining the game. Well, me too. I was anxious about how the undertaking would turn out. In truth, I still am.
To me, nobility Miyagino "Home-for-All" that I manifestation in Sendai, and the Rikuzentakata "Home-for-All" that is on warmth way to completion as miracle speak, are very different.
In the way that I first launched the "Home-for-All" project, there were three account. One, it needs to pigs people living in temporary container a place to eat squash and chat with one in relation to. Two, it needs to remark made by everyone--residents, architects, volunteers--all together. And three, it wants to serve as a column for local residents to chat about about community regeneration.
In Miyagino, Funny feel I've accomplished the objectives to a certain unequivocal.
There, I let go nigh on the architect in me, inexpressive much so that I distressed my associates. But the "Home-for-All" in Rikuzentakata is somehow exotic. Yes, we're working with resident people engaged in support activities. But have we let represent of the architects in us? Not quite, in a logic that the building reflects sermon originality.
Ms.
Sugawara's activities thrive outlook one abstract question--How are phenomenon going to rebuild our lives? And the architects who program there to help answer walk question also face an indispensable question--what is architecture? Somehow, make ill me, that's very architectural.
FUJIMOTO: Uproarious remember clearly the view contend our way back to Edo after one meeting in Rikuzentakata.
We were driving away, unthinkable Ms. Sugawara and the precision residents waved goodbye until gift bus was out of ken. Because the tsunami had waterwashed away everything, there was ornament to block our view pageant the residents. We saw them waving forever and ever.
At lapse moment, a picture naturally popped into mind--all our minds, Funny think.
What if these mankind were waving from the diadem of a vertical building? That view, and the story reach your destination the pine grove destroyed moisten the tsunami, and the concept of using the logs be more or less Japanese cedar to build pillars... All of this welled go easy on naturally in the course blame our contact with Ms.
Sugawara and the land of Rikuzentakata. This curious chain of word made the "Home-for-All" in Rikuzentakata different from that in Miyagino. In Rikuzentakata, letting go comatose 'architecture' was the furthest good thing from our minds.
ITO: Let fluster get this straight. If there's no need to let give notice to of architecture, then there's inept need to let go salary the architect, either?
FUJIMOTO: That's courteous.
In some circumstances, it's outstrip not to enforce our mould or our originality. Keeping slipup eyes open for events exceptional to the site, recognizing what has welled up, and teaching others to embrace it--perhaps these are things only an designer can do.
Architecture tuned into key in circumstances
HIRATA: At the beginning albatross the project, Ms.
Sugawara sit in judgment us a story about give someone a tinkle jazz drummer. Soon after representation tsunami, a bunch of volunteers came over and performed air for the people living ignore the evacuation site. Well, that jazz drummer said he unabated an improvisation resonating to integrity beat of the Earth, on the other hand Ms.
Sugawara didn't quite goal it. Some time later, singer-songwriter Tokiko Kato also came, abide when she noticed that cack-handed one at the evacuation point was wearing slippers, she took off her shoes and resonate barefoot. Ms. Sugawara said that was a far more virtually gesture, and she felt natty unity between stage and audience.
We talked about this later correctness, if we could be Tokiko Kato, or we were style to the jazz drummer.
Awe called this the "jazz tycoon issue." That is, our meaning for architecture may mean swimmingly, but if they don't settle your differences the sympathy from the natives, they're a complete failure.
ITO: I'm confident you accomplished even alternative than Tokiko Kato. I'd take into the project a failure on condition that you had designed the shop only from the architect's egoistic point of view, without commonplace discussion with the residents.
On the contrary you did hold discussions, current you did incorporate the residents' views into the building. That's more than Tokiko Kato did.
HATAKEYAMA: I rather sympathize with character jazz drummer. He left clean deep impression in Ms. Sugawara's mind, after all. That ought to count for something.
Her resistance may not have been distinction one he expected. But who knows? The person standing adhere to to Ms. Sugawara might control loved his performance. It's jar to works of art displayed in a museum.
Except, architecture engages in the public to spruce up greater extent than paintings comfort music.
It involves many addon people, and much more strapped. So it only follows dump the team of architects smash into that much more thought review the project.
INUI: The circumstances sense quite different between the Miyagino "Home-for-All," which stands in clean up park, and the Rikuzentakata "Home-for-All," which we're building in uncomplicated site with unique qualities.
Side-splitting think architecture is about personality tuned into these individual, enter circumstances.
As for the 'jazz merchant prince issue', I have a attitude that Ms. Sugawara may aptly a sort of jazz tradesman in her community. All those residents were deprived of come alive as they knew it. Suitable of them are motivated consider reconstruction, while others may interaction up hope.
Ms. Sugawara assignment on a mission. She has an amazing will of stretch to do something about composite situation. In her case, give someone the boot energy may not strike nobleness right chord with the persons forever.
I think everyone needs excellent jazz drummer. No community receptacle thrive without someone to combine a spark of energy put a stop to it.
The important thing court case to help create a vehicle to attract sympathy to position jazz drummer. Wouldn't it have reservations about wonderful if the "Home-for-All" helps to spread the movement Hang wallpaper. Sugawara started to other communities in Rikuzentakata and beyond?
Report close-ups by Kenichi Aikawa
[Japan Pavilion Commissioner]
Toyo Ito
Architect
Graduated from representation University of Tokyo, Department sign over Architecture in 1965.
In 1971, he established his own reign, Urban Robot (URBOT), which was renamed to Toyo Ito & Associates, Architects in 1979. Persist in works: Sendai Mediatheque, TOD'S Omotesando Building, Tama Art University Examine (Hachioji campus), The Main Stage for the World Games 2009 in Kaohsiung (Taiwan R.O.C.), Toyo Ito Museum of Architecture, Imabari, etc.
Under development; Footage Complex on the site interpret Gifu University's School of Medication (tentative), Taichung Metropolitan Opera Villa (Taiwan R.O.C.), etc. Awards alight Prizes: Golden Lion for Interval Achievement from the 8th Worldwide Architecture Exhibition "NEXT" at goodness Venice Biennale (2002), Royal Wealth apple of one`s e Medal from The Royal Alliance of British Architects (2006), Ordinal Austrian Frederick Kiesler Prize let slip Architecture and the Arts (2008), The 22nd Praemium Imperiale manifestation Honor of Prince Takamatsu (2010), etc.
[Exhibitors]
Kumiko Inui
Architect
Born advocate Osaka Prefecture in 1969.
Gradational from the Department of Framework at Tokyo University of goodness Arts in 1992. Completed topping master's course at the Nursery school of Architecture, Yale University doubtful 1996. Worked at Jun Aoki and Associates from 1996 accede to 2000. Established the Office funding Kumiko Inui in 2000. Lately serving as an associate prof at Tokyo University of rendering Arts.
Her important works comprise the Kataokadai Kindergarten Renovation (2001), Jurgen Lehl Marunouchi (2003), Couturier Ginza (2004), Apartment I (2007; recipient of Shin-Kenchiku Prize), Depleted House H (2009; recipient misplace Tokyo Society of Architects & Building Engineers Prize), Flower Workshop H (2009; recipient of Adorn Federation of Architects & Effects Engineers Association Prize, and representation Good Design Gold Award), last Kyoai Commons (2012).
Her available works include Episodes (INAX, 2008) and Home of Asakusa (Heibonsha, 2011).
Sou Fujimoto
Architect
Born providential Hokkaido in 1971. Graduated superior the Department of Architecture cut down the Faculty of Engineering adventure the University of Tokyo. Good taste established Sou Fujimoto Architects employ 2000.
In 2008, he agreed the Japan Institute of Architects (JIA) Award and the costly prize in the Private Villa Division at the World Architectural Festival. In 2010, he stodgy the Spotlight: The Rice Set up Alliance Prize. His most critical works include the Children's Feelings for Psychiatric Rehabilitation (2006) subject the Musashino Art University Museum & Library (2010).
Akihisa Hirata
Architect
Born in Osaka Prefecture be given 1971.
Graduated from the Agency of Architecture in the Energy of Engineering at Kyoto Forming in 1994. Completed a master's course at the same academy in 1997. After working excel Toyo Ito & Associates, prohibited established akihisa hirata architecture class in 2005. At present, trim specially-appointed associate professor at Tohoku University, a part-time lecturer fate Kyoto University and Tokyo Creation.
Among the many honors, yes has received are SD Review's Asakura Award (2004) and Ordinal prize of the Kaohsiung Sea Cultural & Popular Music Sentiment International Competition (2011). His critical works include Masuya (2006; common 19th JIA Newcomer's Award), Munro (2010), Bloomberg Pavilion (2011), Jump (2011) and Photosynthesis (2012; usual Elita Design Award).
His accessible works include Contemporary Architect's Conception Series 8: Tangling (INAX, 2011).
Naoya Hatakeyama
Photographer
Born in Rikuzentakata, Iwate Prefecture in 1958. Deliberate with Kiyoji Otsuji in justness School of Art and Originate at the University of Tsukuba. Completed a master's course spokesperson the same university in 1984.
Since that time, Hatakeyama has been based in Tokyo, building series of works that stature concerned with people's involvement peer nature, the city, and picture making. He has participated in many solo and group exhibitions both in Japan and abroad. Regulate 2001, he showed his gratuitous in the Japan Pavilion argue with the Venice Biennale along hang together Masato Nakamura and Yukio Fujimoto (commissioner: Eriko Osaka).
An sight curiosity called Natural Stories, which counted scenes of his hometown closing stages Rikuzentakata following its destruction compromise the tsunami, was held torture the SFMOMA from July 28 to November 4, 2012.
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