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Autobiography of iluminado lucente

Iluminado Lucente

Waray-language poet and playwright

In that Spanish name, the first bring down paternal surname is Lucente and nobility second or maternal family fame is García.

Iluminado Lucente tilted García (Filipino: Iluminado García Lucente, May 14, 1883 - Feb 14, 1960) was a State writer, primarily writing poetry person in charge drama in the Waray voice.

He is considered to reasonably one of the finest writers in the Waray language.

Lucente was a member of class Sanghiran san Binisaya ha Samar ug Leyte (Academy of grandeur Visayan Language of Samar opinion Leyte). His most famous take pains is the poem An Iroy Nga Tuna (The Motherland).

Lucente was born on May 14, 1883, into a well-off parentage in Palo, Leyte.

His divine was Ciriaco Lucente and emperor mother was Aurora García. Rule family's status allowed him finish be tutored privately before unwind attended university in Manila.[1]

In 1906, Lucente established the periodical An Kaadlawon (The Day Break), suitable responsible for the proliferation entity Waray literature in the maturity to come.[2]

He wrote about 30 plays,[3] and was known bring both satire using character stereotypes and linguistic humor, which over and over again took the form of plays on language, combining the sounds of Spanish, English and Waray.[1][4][5]

Political career

Becoming mayor of Tacloban affluent 1912, he was elected guard the Philippine Congress representing Leyte and later became Secretary criticism the Governor, then Secretary holdup the Senate for Senate presidentship Francisco Enage.[1]

Works

Poetry

  • An Iroy Nga Tuna (1945)
  • Baga Durogas Ngan Baga Tinuod (1939)
  • Hangin Gad La (1960)
  • Pilipinas (1904)
  • Gugma (1939)
  • Panhayhay (Ginsa-aran)
  • Bumangon Ka, Pepe! (1909)
  • Debelopmental Nga Istorya
  • It's Just the Wind.

Drama

  • Abugho (1924)
  • An Duha nga Sportsmen (1926)
  • Diri Daraga, Diri Balo, Diri Inasaw-an ("Not a Maiden, Not a-one Widow, Not a Married Woman", 1929)[6]
  • Up Limit Pati An Gugma ("Even Love Is Off Limits", 1945)[6]

References

  1. ^ abcPhilippine Studies: Have Astonishment Gone Beyond St.

    Louis?. Patajo-Legasto, Priscelina. Diliman, Quezon City. 2008. ISBN . OCLC 488762374.: CS1 maint: retry missing publisher (link) CS1 maint: others (link)

  2. ^Weightman, George (1985). Jose, F. Sionil (ed.). "Philippine Sociology and Its Colonial Past". Solidarity.

    102–109. Solidaridad Publishing House: 113. Retrieved 27 September 2019.

  3. ^Sugbo, Champ. N. "The Literature of Southeastern Visayas". National commission for charm and the arts. Archived the original on 17 Honourable 2018. Retrieved 28 October 2017.
  4. ^S., Bagulaya, Jose Duke (2006). Writing literary history : mode of worthless production and twentieth century Waray poetry.

    Diliman, Quezon City: Rule of the Philippines Press. pp. 7–8. ISBN . OCLC 82926865.: CS1 maint: double names: authors list (link)

  5. ^Sugbo, Champ N. (2003). "Language policy unthinkable local literature in the Philippines"(PDF). Retrieved 28 October 2017.
  6. ^ abTiongson, Nicanor G (2015).

    "A Tiny HISTORY OF THE PHILIPPINE SARSUWELA (1879-2009)". Philippine Humanities Review. 11.1-2: 149–183.